La séquence complète
en classique, en mineur


Sélectionnez une tonalité mineure :

La séquence complète est la succession de trois accords avec les fonctions SD - D - T soit :

La séquence complète en classique en majeur.

I - Une sous-dominante puis la cadence parfaite

@ ['P4','m','IV','SD'],['P5','7','V7','D'],['P1','m','I','T']

Prenons une sous-dominante avec à la basse la note du IVe degré. Nous avons alors à la basse :

Q:1/1=40 K:Cm "IV"F, | "V"G, | "I"C, |]
IV V I

Nous trouvons alors ces accords :

I.1 - L'accord du IVe degré à l'état fondamental

['P4','m','IV','SD'],['P5','','V','d'],['P1','m','I','T']
  1. Dm
  2. IV
  1. E
  2. V
  1. Am
  2. I
['P4','m','IV','SD'],['P5','','V','d'],['P5','7','V7','D'],['P1','m','I','T']
  1. Dm
  2. IV
  1. E
  2. V
  1. E7
  2. V7
  1. Am
  2. I
['P4','m','IV','SD'],['P5','7','V7','D'],['P1','m','I','T']
  1. Dm
  2. IV
  1. E7
  2. V7
  1. Am
  2. I
Q:1/1=40 %%player_no_voice %%piano3+1DC K:Cm [V:C] "Cm"x | "Fm"x | "G"x | "Cm"x |] [V:D] "I"x | "IV"x | "V"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | D | E |] [V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
I Am IV Dm V E I Am
Q:1/1=40 %%player_no_voice %%piano3+1DC K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | D/!o>(!!orange!F/ | !o>)!E |] [V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
Q:1/1=40 %%player_no_voice %%piano3+1DC K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | !o>(!!orange!F | !o>)!E |] [V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
En positions fermées, cadence de type A.
Q:1/1=40 %%player_no_voice %%piano2+2DC K:Cm [V:C] "Cm"x | "Fm"x | "G"x | "Cm"x |] [V:D] "I"x | "IV"x | "V"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] E | !blue!F | D | E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am IV Dm V E I Am
Q:1/1=40 %%player_no_voice %%piano2+2DC K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] E | !blue!F | D/ !o>(!!orange!F/ | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am IV Dm V7 E7 I Am
Q:1/1=40 %%player_no_voice %%piano2+2DC K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |] [V:A] E | !blue!F | !o>(!!orange!F | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am IV Dm V7 E7 I Am
En positions ouvertes, cadence de type A.
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G"x | "Cm"x |] [V:D] "I"x | "IV"x | "V"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !blue!G | E |] [V:B] !blue!C | !blue!F, | !blue!G, | !blue!C, |]
I Am IV Dm V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | G/ !o>(!!orange!F/ | !o>)!E |] [V:B] !blue!C | !blue!F, | G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !o>(!!orange!F | !o>)!E |] [V:B] !blue!C | !blue!F, | G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
En positions fermées, cadence de type B.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G"x | "Cm"x |] [V:D] "I"x | "IV"x | "V"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] G | A | !blue!G | E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
I Am IV Dm V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] G | A | G/ !o>(!!orange!F/ | !o>)!E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | !blue!F, | G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] e | !blue!f | d | !blue!c |] [V:A] G | A | !o>(!!orange!F | !o>)!E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | !blue!F, | G, | !blue!C, |]
I Am IV Dm V7 E7 I Am
En positions ouvertes, cadence de type B.

I.2 - L'accord du IIe degré à l'état de premier renversement

['P2/m3','°','II/3','SD'],['P5','','V','d'],['P1','m','I','T']
  1. B°/D
  2. II/3
  1. E
  2. V
  1. Am
  2. I
['P2/m3','°','II/3','SD'],['P5','','V','d'],['P5','7','V7','D'],['P1','m','I','T']
  1. B°/D
  2. II/3
  1. E
  2. V
  1. E7
  2. V7
  1. Am
  2. I
['P2/m3','°','II/3','SD'],['P5','7','V7','D'],['P1','m','I','T']
  1. B°/D
  2. II/3
  1. E7
  2. V7
  1. Am
  2. I
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | D | E |] [V:B] !blue!C | !blue!F, | !blue!G, | !blue!C |]
I Am II/3 B°/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | D/!orange!!o>(!F/ | !o>)!E |] [V:B] !blue!C | !blue!F, | !blue!G, | !blue!C |]
I Am II/3 B°/D V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | !blue!F | !orange!!o>(!F | !o>)!E |] [V:B] !blue!C | !blue!F, | !blue!G, | !blue!C |]
I Am II/3 B°/D V7 E7 I Am
En positions fermées, cadence de type A.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | D | E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am II/3 B°/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | D/ !orange!!o>(!F/ | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am II/3 B°/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] !blue!c | d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | !orange!!o>(!F | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
I Am II/3 B°/D V7 E7 I Am
En positions ouvertes, cadence de type A.
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] !blue!c | !blue!d | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !blue!G | E |] [V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
I Am II/3 B°/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] !blue!c | !blue!d | !red!!n>(!=B | !n>)!G |] [V:T] G | A | G/ !orange!!o>(!F/ | !o>)!E |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am II/3 B°/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] !blue!c | !blue!d | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !orange!!o>(!F | !o>)!E |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am II/3 B°/D V E I Am
En positions fermées, cadence de type B.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] G | A | !blue!G | E |] [V:T] !blue!C | !blue!D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
I Am II/3 B°/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] G | A | G/ !orange!!o>(!F/ | !o>)!E |] [V:T] !blue!C | !blue!D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am II/3 B°/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "D°/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "II/3"x | "V7"x | "I"x |] [V:S] e | !blue!!n>(!d | !n>)!d | !blue!c |] [V:A] G | A | !orange!!o>(!F | !o>)!E |] [V:T] !blue!C | !blue!D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am II/3 B°/D V7 E7 I Am
En positions ouvertes, cadence de type B.

I.3 - L'accord de septième du IIe degré à l'état de premier renversement

.
['P2/m3','Ø','II/3','SD'],['P5','','V','d'],['P1','m','I','T']
  1. BØ/D
  2. II/3
  1. E
  2. V
  1. Am
  2. I
['P2/m3','Ø','II/3','SD'],['P5','','V','d'],['P5','7','V7','D'],['P1','m','I','T']
  1. BØ/D
  2. II/3
  1. E
  2. V
  1. E7
  2. V7
  1. Am
  2. I
['P2/m3','Ø','II/3','SD'],['P5','7','V7','D'],['P1','m','I','T']
  1. BØ/D
  2. II/3
  1. E7
  2. V7
  1. Am
  2. I
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | D | D | E |] [V:B] !blue!C | F, | !blue!G, | !blue!C |]
I Am IIØ/3 BØ/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | D | D/ !orange!!o>(!F/ | !o>)!E |] [V:B] !blue!C | F, | !blue!G, | !blue!C |]
I Am IIØ/3 BØ/D V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | A | !blue!G | G |] [V:T] E | D | !orange!!o>(!F | !o>)!E |] [V:B] !blue!C | F, | !blue!G, | !blue!C |]
I Am IIØ/3 BØ/D V7 E7 I Am
En positions fermées, cadence de type A.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | D | D | E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
I Am IIØ/3 BØ/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | D | D/ !orange!!o>(!F/ | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
I Am IIØ/3 BØ/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] !blue!c | c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | D | !orange!!o>(!F | !o>)!E |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
I Am IIØ/3 BØ/D V7 E7 I Am
En positions ouvertes, cadence de type A.
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !blue!G | E |] [V:B] !blue!C | F, | !blue!G, | !blue!C |]
I Am IIØ/3 BØ/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | G/ !orange!!o>(!F/ | !o>)!E |] [V:B] !blue!C | F, | G, | !blue!C |]
I Am IIØ/3 BØ/D V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] !blue!c | c | !red!!n>(!=B | !n>)!G |] [V:T] G | A | !orange!!o>(!F | !o>)!E |] [V:B] !blue!C | F, | G, | !blue!C |]
I Am IIØ/3 BØ/D V7 E7 I Am
En positions fermées, cadence de type B.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] G | A | !blue!G | E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
I Am IIØ/3 BØ/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] G | A | G/ !orange!!o>(!F/ | !o>)!E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am IIØ/3 BØ/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm"x | "DØ/F"x | "G7"x | "Cm"x |] [V:D] "I"x | "IIØ/3"x | "V7"x | "I"x |] [V:S] e | d | d | !blue!c |] [V:A] G | A | !orange!!o>(!F | !o>)!E |] [V:T] !blue!C | C | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!C, | F, | G, | !blue!C, |]
I Am IIØ/3 BØ/D V7 E7 I Am
En positions ouvertes, cadence de type B.

I.4 - L'accord du degré bII à l'état de premier renversement

Nous avons l'accord dit de l'harmonie napolitaine.

['m2/M3','','bII/3','SD'],['P5','','V','d'],['P1','m','I','T']
  1. Bb/D
  2. bII/3
  1. E
  2. V
  1. Am
  2. I
['m2/M3','','bII/3','SD'],['P5','','V','d'],['P5','7','V7','D'],['P1','m','I','T']
  1. Bb/D
  2. bII/3
  1. E
  2. V
  1. E7
  2. V7
  1. Am
  2. I
['m2/M3','','bII/3','SD'],['P5','7','V7','D'],['P1','m','I','T']
  1. Bb/D
  2. bII/3
  1. E7
  2. V7
  1. Am
  2. I
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] !blue!G | A | !blue!G | G |] [V:T] E | !blue!F | D | E |] [V:B] !blue!G, | !blue!F, | !blue!G, | !blue!C |]
I/5 Am/E ♭II/3 B♭/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] !blue!G | A | !blue!G | G |] [V:T] E | !blue!F | D/ !orange!!o>(!F/ | !o>)!E |] [V:B] !blue!G, | !blue!F, | !blue!G, | !blue!C |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] !blue!G | A | !blue!G | G |] [V:T] E | !blue!F | !orange!!o>(!F | !o>)!E |] [V:B] !blue!G, | !blue!F, | !blue!G, | !blue!C |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
En positions fermées, cadence de type A.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | D | E |] [V:T] !blue!G, | A, | !blue!G, | G, |] [V:B] !blue!G,, | !blue!F,, | !blue!G,, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | D/ !orange!!o>(!F/ | !o>)!E |] [V:T] !blue!G, | A, | !blue!G, | G, |] [V:B] !blue!G,, | !blue!F,, | !blue!G,, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | _d | !red!!r>(!=B | !r>)!!blue!c |] [V:A] E | !blue!F | !orange!!o>(!F | !o>)!E |] [V:T] !blue!G, | A, | !blue!G, | G, |] [V:B] !blue!G,, | !blue!F,, | !blue!G,, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
En positions ouvertes, cadence de type A.
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V"x | "I"x |] [V:S] e | !blue!_d | =d | !blue!c |] [V:A] c | !blue!_d | !red!!n>(!=B | !n>)!G |] [V:T] !blue!G | _A | !blue!G | E |] [V:B] !blue!G, | F, | !blue!G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V E I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] e | !blue!_d | =d | !blue!c |] [V:A] c | !blue!_d | !red!!n>(!=B | !n>)!G |] [V:T] !blue!G | _A | G/ !orange!!o>(!F/ | !o>)!E |] [V:B] !blue!G, | F, | G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] e | !blue!_d | =d | !blue!c |] [V:A] c | !blue!_d | !red!!n>(!=B | !n>)!G |] [V:T] !blue!G | _A | !orange!!o>(!F | !o>)!E |] [V:B] !blue!G, | F, | G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
En positions fermées, cadence de type B.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V"x | "I"x |] [V:S] c | !blue!_d | =d | !blue!c |] [V:A] !blue!G | _A | !blue!G | E |] [V:T] E | !blue!_D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!G, | F, | !blue!G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V E I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | !blue!_d | =d | !blue!c |] [V:A] !blue!G | _A | G/ !orange!!o>(!F/ | !o>)!E |] [V:T] E | !blue!_D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!G, | F, | G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "Cm/G"x | "Db/F"x | "G7"x | "Cm"x |] [V:D] "I/5"x | "bII/3"x | "V7"x | "I"x |] [V:S] c | !blue!_d | =d | !blue!c |] [V:A] !blue!G | _A | !orange!!o>(!F | !o>)!E |] [V:T] E | !blue!_D | !red!!n>(!=B, | !n>)!G, |] [V:B] !blue!G, | F, | G, | !blue!C, |]
I/5 Am/E ♭II/3 B♭/D V7 E7 I Am
En positions ouvertes, cadence de type B.