La séquence complète
en classique, en majeur
Sélectionnez une tonalité majeure :
La séquence complète est la succession de trois accords avec les fonctions SD - D - T soit :
@
['P4','','IV','SD'],['P5','7','V7','D'],['P1','','I','T','up'],
['P4','','IV','SD'],['P5','7','V7','D'],['P1','','I','t']
La séquence complète en classique en mineur.
I - Une sous-dominante puis la cadence parfaite
@
['P4','','IV','SD'],['P5','7','V7','D'],['P1','','I','T']
Prenons une sous-dominante avec la note du IVe degré à la basse.
Nous avons alors le mouvement de basse suivant :
Q:1/1=40
K:C
"IV"F, | "V"G, | "I"C, || "IV"F, | "V"G, | "I"C |]
Nous trouvons alors ces accords :
- L'accord du IVe degré à l'état fondamental :
['P4','','IV','SD'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "F"x | "G7"x | "C"x || "F"x | "G7"x | "C"x |]
[V:D] "IV"x | "V7"x | "I"x || "IV"x | "V7"x | "I"x |]
[V:S] c | !red!!r>(!B | !blue!!r>)!c || !blue!f | d | !blue!c |]
[V:A] A | !blue!G | G || c | !red!!n>(!B | !n>)!G |]
[V:T] !blue!F | !o>(!!orange!F | !o>)!E || A | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!F, | "_Type A"!blue!G, | !blue!C, || !blue!F, | "_Type B"G, | !blue!C |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "F"x | "G"x | "C"x |]
[V:D] "I"x | "IV"x | "V"x | "I"x |]
[V:S] E | !blue!F | D | E |]
[V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "F"x | "C/G"x/ "G"x/ | "C"x |]
[V:D] "I"x | "IV"x | "I64"x/ "V"x/ | "I"x |]
[V:S] E | !blue!F | E/ D/ | E |]
[V:A] !blue!C | C | C/ !red!!r>(!B,/ | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "C"x | "F"x | "G7"x | "C"x |]
[V:D] "I"x | "IV"x | "V7"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | !blue!F | D/!o>(!!orange!F/ | !o>)!E |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano2+2DC
K:C
[V:C] "C"x | "F"x | "G7"x | "C"x |]
[V:D] "I"x | "IV"x | "V7"x | "I"x |]
[V:S] E | !blue!F | D/!o>(!!orange!F/ | !o>)!E |]
[V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
En positions fermées, de type A.
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "C"x | "F"x | "G7"x | "C"x |]
[V:D] "I"x | "IV"x | "V7"x | "I"x |]
[V:S] e | !blue!f | d | !blue!c |]
[V:A] !blue!c | c | !red!!n>(!B | !n>)!G |]
[V:T] G | A | !blue!G/!o>(!!orange!F/ | !o>)!E |]
[V:B] !blue!C | !blue!F, | !blue!G, | !blue!C |]
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "C"x | "F"x | "G7"x | "C"x |]
[V:D] "I"x | "IV"x | "V7"x | "I"x |]
[V:S] G | A | !blue!G/!o>(!!orange!F/ | !o>)!E |]
[V:A] E | !blue!F | D | !blue!C |]
[V:T] !blue!C | C | !red!!n>(!B, | !n>)!G, |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
En positions fermées, de type B.
- L'accord du IIe degré à l'état de premier renversement :
['P2/m3','m','II/3','SD'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "Dm/F"x | "G7"x | "C"x || "Dm/F"x | "G7"x | "C"x |]
[V:D] "II/3"x | "V7"x | "I"x || "II/3"x | "V7"x | "I"x |]
[V:S] d | !red!!r>(!B | !blue!!r>)!c || !blue!f | d | !blue!c |]
[V:A] A | !blue!G | G || d | !red!!n>(!B | !n>)!G |]
[V:T] !blue!F | !o>(!!orange!F | !o>)!E || A | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!F, | "_Type A"!blue!G, | !blue!C, || !blue!F, | "_Type B"G, | !blue!C |]
- L'accord du IIe degré, emprunt mineur, à l'état de premier renversement :
['P2/m3','°','II/3','SD'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "D°/F"x | "G7"x | "C"x || "D°/F"x | "G7"x | "C"x |]
[V:D] "II°/3"x | "V7"x | "I"x || "II°/3"x | "V7"x | "I"x |]
[V:S] d | !red!!r>(!B | !blue!!r>)!c || !blue!f | d | !blue!c |]
[V:A] _A | !blue!G | G || d | !red!!n>(!B | !n>)!G |]
[V:T] !blue!F | !o>(!!orange!F | !o>)!E || _A | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!F, | "_Type A"!blue!G, | !blue!C, || !blue!F, | "_Type B"G, | !blue!C |]
- L'accord du degré bII à l'état de premier renversement, emprunt de l'harmonie napolitaine :
['m2/M3','','bII/3','SD'],['P5','','V','d'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "Db/F"x | "G"x | "C"x || "Db/F"x | "G"x | "C"x |]
[V:D] "bII/3"x | "V"x | "I"x || "bII/3"x | "V"x | "I"x |]
[V:S] _d | !red!!r>(!B | !blue!!r>)!c || !blue!f | =d | !blue!c |]
[V:A] _A | !blue!G | G || _d | !red!!n>(!B | !n>)!G |]
[V:T] !blue!F | D | E || _A | D | E |]
[V:B] !blue!F, | "_Type A"!blue!G, | !blue!C, || !blue!F, | "_Type B"G, | !blue!C |]
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "C"x | "Db/F"x | "G"x | "C"x |]
[V:D] "I"x | "bII/3"x | "V"x | "I"x |]
[V:S] !blue!c | _d | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | _A | !blue!G | G |]
[V:T] E | !blue!F | D | E |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
En positions fermées, de type A.
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "C/G"x | "Db/F"x | "G"x | "C"x |]
[V:D] "I64"x | "bII/3"x | "V"x | "I"x |]
[V:S] e | !blue!_d | =d | !blue!c |]
[V:A] c | !blue!_d | !red!!n>(!B | !n>)!G |]
[V:T] !blue!G | _A | !blue!G | E |]
[V:B] !blue!G, | F, | !blue!G, | !blue!C, |]
En positions fermées, de type B.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "C/G"x | "Db/F"x | "G"x | "C"x |]
[V:D] "I64"x | "bII/3"x | "V"x | "I"x |]
[V:S] c | !blue!_d | =d | !blue!c |]
[V:A] !blue!G | _A | !blue!G | E |]
[V:T] E | !blue!_D | !red!!n>(!B, | !n>)!G, |]
[V:B] !blue!G, | F, | !blue!G, | !blue!C, |]
En positions ouvertes, de type B.
['m2/M3','','bII/3','SD'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "Db/F"x | "G7"x | "C"x || "Db/F"x | "G7"x | "C"x |]
[V:D] "bII/3"x | "V7"x | "I"x || "bII/3"x | "V7"x | "I"x |]
[V:S] _d | !red!!r>(!B | !blue!!r>)!c || !blue!f | =d | !blue!c |]
[V:A] _A | !blue!G | G || _d | !red!!n>(!B | !n>)!G |]
[V:T] !blue!F | !o>(!!orange!F | !o>)!E || _A | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!F, | "_Type A"!blue!G, | !blue!C, || !blue!F, | "_Type B"G, | !blue!C |]
Q:1/1=40
%%player_no_voice
%%piano3+1DC
K:C
[V:C] "C"x | "Db/F"x | "G7"x | "C"x |]
[V:D] "I"x | "bII/3"x | "V7"x | "I"x |]
[V:S] !blue!c | _d | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | _A | !blue!G | G |]
[V:T] E | !blue!F | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
En positions fermées, de type A.
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "C/G"x | "Db/F"x | "G7"x | "C"x |]
[V:D] "I64"x | "bII/3"x | "V7"x | "I"x |]
[V:S] c | _d | !red!!r>(!B | !r>)!!blue!c |]
[V:A] !blue!G | _A | !blue!!n>(!G | !n>)!G |]
[V:T] E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |]
[V:B] !blue!G, | !blue!F, | !blue!G, | !blue!C |]
En positions fermées, de type A.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "C/G"x | "Db/F"x | "G7"x | "C"x |]
[V:D] "I64"x | "bII/3"x | "V7"x | "I"x |]
[V:S] c | _d | !red!!r>(!B | !r>)!!blue!c |]
[V:A] E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |]
[V:T] !blue!G, | _A, | !blue!!n>(!G, | !n>)!G, |]
[V:B] !blue!G,, | !blue!F,, | !blue!G,, | !blue!C, |]
En positions ouvertes, de type A.
- L'accord de septième du IIe degré à l'état de premier renversement :
['P2/m3','m7','II/3','SD'],['P5','','V','d'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "IIm7/3"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | D | D | E |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "IIm7/3"x | "V"x | "I"x |]
[V:S] E | D | D | E |]
[V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "Dm7/F"x | "C/G"x/ "G"x/ | "C"x |]
[V:D] "I"x | "IIm7/3"x | "I64"x/ "V"x/ | "I"x |]
[V:S] E | D | E/ D/ | E |]
[V:A] !blue!C | C | C/ !red!!r>(!B,/ | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
['P2/m3','m7','II/3','SD'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "II7/3"x | "V7"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | D | D/!orange!!o>(!F/ | !o>)!E |]
[V:B] !blue!C | F, | !blue!G, | !blue!C, |]
En positions fermées, de type A.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "II7/3"x | "V7"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] E | D | D/!orange!!o>(!F/ | !o>)!E |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
En positions ouvertes, de type A.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "IIm7/3"x | "V7"x | "I"x |]
[V:S] E | D | !orange!!o>(!F | !o>)!E |]
[V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | F,, | !blue!G,, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "C"x | "Dm7/F"x | "C/G"x/ "G7"x/ | "C"x |]
[V:D] "I"x | "IIm7/3"x | "I64"x/ "V7"x/ | "I"x |]
[V:S] E | D | E/ !orange!!o>(!F/ | !o>)!E |]
[V:A] !blue!C | C | C/ !red!!r>(!B,/ | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, |]
Q:1/1=40
%%player_no_voice
%%piano3+1DC
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "II7/3"x | "V7"x | "I"x |]
[V:S] e | d | d | !blue!c |]
[V:A] !blue!c | c | !red!!n>(!B | !n>)!G |]
[V:T] G | A | !blue!G/!orange!!o>(!F/ | !o>)!E |]
[V:B] !blue!C | F, | !blue!G, | !blue!C |]
En positions fermées, de type B.
Q:1/1=40
%%player_no_voice
%%piano2+2DC
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "II7/3"x | "V7"x | "I"x |]
[V:S] e | d | d | !blue!c |]
[V:A] G | A | !blue!G/!orange!!o>(!F/ | !o>)!E |]
[V:T] !blue!C | C | !red!!n>(!B, | !n>)!G, |]
[V:B] !blue!C,| F, | !blue!G, | !blue!C |]
En positions ouvertes, de type B.
- L'accord de septième du IIe degré, emprunt mineur, à l'état de premier renversement :
['P2/m3','Ø','IIØ/3','SD'],['P5','','V','d'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "DØ/F"x | "G"x | "C"x || "DØ/F"x | "G7"x | "C"x |]
[V:D] "IIØ/3"x | "V"x | "I"x || "IIØ/3"x | "V7"x | "I"x |]
[V:S] c | !red!!r>(!=B | !blue!!r>)!c || c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] _A | !blue!G | G || _A | !blue!G | G |]
[V:T] D | D | E || D | D/!orange!!o>(!F/ | !o>)!E |]
[V:B] F, | !blue!G, | !blue!C, || F, | !blue!G, | !blue!C, |]
II - Une dominante secondaire puis la cadence parfaite
@
['D4','','#IV','D2'],['P5','7','V7','D'],['P1','','I','T']
Prenons une dominante avec à la basse la note du degré #IV.
Nous avons alors à la basse :
Q:1/1=40
K:C
"#IV"^F, | "V"G, | "I"C, || "#IV"^F, | "V"G, | "I"C |]
Nous trouvons alors ces accords :
- L'accord de dominante du Ve degré à l'état de premier renversement :
['P2/M3','7','V7/V/3','D2'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "D7/F#"x | "G"x | "C"x || "D7/F#"x | "G7"x | "C"x |]
[V:D] "V7/V/3"x | "V"x | "I"x || "V7/V/3"x | "V7"x | "I"x |]
[V:S] c | !red!!r>(!=B | !blue!!r>)!c || c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] A | !blue!G | G || A | !blue!G | G |]
[V:T] D | D | E || D | D/!orange!!o>(!F/ | !o>)!E |]
[V:B] ^F, | !blue!G, | !blue!C, || ^F, | !blue!G, | !blue!C, |]
- L'accord de septième diminué du Ve degré à l'état de fondamental :
['A4','°7','VII°7/V','D2'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "F#°7"x | "G"x | "C"x || "F#°7"x | "G7"x | "C"x |]
[V:D] "VII°7/V"x | "V"x | "I"x || "VII°7/V"x | "V7"x | "I"x |]
[V:S] c | !red!!r>(!=B | !blue!!r>)!c || c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] A | !blue!G | G || A | !blue!G | G |]
[V:T] _E | D | =E || _E | D/!orange!!o>(!F/ | !o>)!=E |]
[V:B] ^F, | !blue!G, | !blue!C, || ^F, | !blue!G, | !blue!C, |]
- La substitution tritonique de l'accord de dominante du Ve degré à l'état de troisième renversement, ici on utilise la note bV soit l'enharmonique de #IV :
['m6/m7','7','bII7/V/7','D2st'],['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "Ab7/Gb"x | "G"x | "C"x || "Ab7/Gb"x | "G7"x | "C"x |]
[V:D] "bII7/V"x | "V"x | "I"x || "bII7/V"x | "V7"x | "I"x |]
[V:S] c | !red!!r>(!=B | !blue!!r>)!c || c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] _A | !blue!G | G || _A | !blue!G | G |]
[V:T] _E | D | =E || _E | D/!orange!!o>(!F/ | !o>)!=E |]
[V:B] _G, | !blue!G, | !blue!C, || _G, | !blue!G, | !blue!C, |]