La cadence imparfaite
en classique, en mineur


Sélectionnez une tonalité mineure :

La cadence imparfaite est l'enchaînement de l'accord de dominante V avec l'accord de tonique I avec au moins l'un des deux accords à l'état de renversement.

['P5/M3','7','V7/3','D'],['P1','m','I','T','up'], ['P5/m7','7','V7/7','D'],['P1/m3','m','I/3','t']
  1. E7/G#
  2. V7/3
  1. Am
  2. I
  1. E7/D
  2. V7/7
  1. Am/C
  2. I/3

Gestion de la septième de l'accord de dominante :

['P5/M3','','V/3','d'],['P1','m','I','T']
  1. E/G#
  2. V/3
  1. Am
  2. I
['P5/M3','','V/3','d'],['P5/M3','7','V7/3','D'],['P1','m','I','T']
  1. E/G#
  2. V/3
  1. E7/G#
  2. V7/3
  1. Am
  2. I
['P5/M3','7','V7/3','D'],['P1','m','I','T']
  1. E7/G#
  2. V7/3
  1. Am
  2. I
['P5','','V','d'],['P1/m3','m','I/3','t']
  1. E
  2. V
  1. Am/C
  2. I/3
['P5','','V','d'],['P5/m7','7','V7/7','D'],['P1/m3','m','I/3','t']
  1. E
  2. V
  1. E7/D
  2. V7/7
  1. Am/C
  2. I/3
['P5/m7','7','V7/7','D'],['P1/m3','m','I/3','t']
  1. E7/D
  2. V7/7
  1. Am/C
  2. I/3
Sans la septième.
La septième dans un second temps.
La septième directement.

Conduite des voix avec arrivée au soprano sur:

La cadence imparfaite en classique en majeur.

1. Arrivée sur la tonique au soprano (I.1)

V/3 - I avec doublure la quinte de l'accord de dominante (V.5):

Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/"G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |] [V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:T] !blue!D | E || !blue!D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:B] !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions fermées.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/"G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |] [V:A] !blue!D | E || !blue!D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:T] !n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, |] [V:B] !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions ouvertes.

Départ sur la tierce de l'accord de dominante au soprano.

V - I/3 avec doublure la fondamentale de l'accord de tonique (I.1):

Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |] [V:S] !r>(!!red!=B | !r>)!!blue!c || !r>(!!red!=B | !r>)!!blue!c || !r>(!!red!=B | !r>)!!blue!c |] [V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |] [V:T] D | !blue!C || D | !blue!C || D | !blue!C |] [V:B] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
V E I/3 Am/C V7 E7 I/3 Am/C V7/7 E7/D I/3 Am/C
En positions fermées.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |] [V:S] !r>(!!red!=B | !r>)!!blue!c || !r>(!!red!=B | !r>)!!blue!c || !r>(!!red!=B | !r>)!!blue!c |] [V:A] D | !blue!C || D | !blue!C || D | !blue!C |] [V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |] [V:B] !blue!G,, | E,, || !blue!G,,/!o>(!!orange!F,,/ | !o>)!E,, || !o>(!!orange!F,, | !o>)!E,, |]
V E I/3 Am/C V7 E7 I/3 Am/C V7/7 E7/D I/3 Am/C
En positions ouvertes.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G"x/ "G7/F"x/ | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |] [V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |] [V:A] D | G || D | G || D | G |] [V:T] !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C |] [V:B] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
V E I/3 Am/C V E V7/7 E7/D I/3 Am/C V7/7 E7/D I/3 Am/C
En positions fermées.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G"x/ "G7/F"x/ | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |] [V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |] [V:A] !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C |] [V:T] D, | G, || D, | G, || D, | G, |] [V:B] !blue!G,, | E,, || !blue!G,,/!o>(!!orange!F,,/ | !o>)!E,, || !o>(!!orange!F,, | !o>)!E,, |]
V E I/3 Am/C V E V7/7 E7/D I/3 Am/C V7/7 E7/D I/3 Am/C
En positions ouvertes.

2. Arrivée sur la tierce au soprano (I.3)

V/3 - I avec doublure de la fondamentale de l'accord de dominante (V.1).

Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/ "G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:A] D | !blue!C || D | !blue!C || D | !blue!C |] [V:T] !blue!!n>(!G, | !n>)!G, || !blue!!n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, |] [V:B] !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions fermées.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/ "G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!g | e || !blue!g/ !o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !blue!!n>(!G | !n>)!G || !blue!!n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:T] D | !blue!C || D | !blue!C || D | !blue!C |] [V:B] !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions ouvertes.

V/3 - I avec doublure la quinte de l'accord de dominante (V.5).

Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/"G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |] [V:T] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:B] !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions fermées.
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/"G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:T] !blue!D | !blue!C || !blue!D | !blue!C || D | !blue!C |] [V:B] !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/"G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:T] !blue!D | !blue!C || !blue!D | !blue!C || D | !blue!C |] [V:B] !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C || !r>(!!red!=B, | !r>)!!blue!C |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am
En positions ouvertes.

3. Arrivée sur la quinte au soprano (I.5)

V/3 - I avec doublure de la fondamentale de l'accord de dominante (V.1).

Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G/B"x | "Cm"x || "G/B"x/ "G7/B"x/ | "Cm"x || "G7/B"x | "Cm"x |] [V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |] [V:S] !blue!!n>(!G | !n>)!G || !blue!!n>(!G | !n>)!G || !n>(!G | !n>)!G |] [V:A] D | !blue!C || D | !blue!C || D | !blue!C |] [V:T] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |] [V:B] !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, || !r>(!!red!=B,, | !r>)!!blue!C, |]
V/3 E/G♯ I Am V/3 E/G♯ V7/3 E7/G♯ I Am V7/3 E7/G♯ I Am

V - I/3 avec doublure la quinte de l'accord de dominante (V.5).

Q:1/1=40 %%piano2+2CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G"x/ "G7/F"x/ | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |] [V:S] D | !blue!G || D | !blue!G || D | !blue!G |] [V:A] !r>(!!red!=B, | !r>)!C || !r>(!!red!=B, | !r>)!C || !r>(!!red!=B, | !r>)!C |] [V:T] !blue!!n>(!G, | !blue!!n>)!G, || !blue!!n>(!G, | !blue!!n>)!G, || !blue!!n>(!G, | !blue!!n>)!G, |] [V:B] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
V E I/3 Am/C V E V7/7 E7/D I/3 Am/C V7/7 E7/D I/3 Am/C
Q:1/1=40 %%piano3+1CD %%player_no_voice K:Cm [V:C] "G"x | "Cm/Eb"x || "G"x/ "G7/F"x/ | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |] [V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |] [V:S] d | !blue!g || d | !blue!g || d | !blue!g |] [V:A] !r>(!!red!=B | !r>)!c || !r>(!!red!=B | !r>)!c || !r>(!!red!=B | !r>)!c |] [V:T] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |] [V:B] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
V E I/3 Am/C V E V7/7 E7/D I/3 Am/C V7/7 E7/D I/3 Am/C