La cadence imparfaite
en classique, en majeur
Sélectionnez une tonalité majeure :
La cadence imparfaite est l'enchaînement de l'accord de dominante V avec l'accord de tonique I avec au moins l'un des deux accords à l'état de renversement.
['P5/M3','7','V7/3','D'],['P1','','I','T','up'],
['P5/m7','7','V7/7','D'],['P1/M3','','I/3','t','up'],
['P5/M3','7','V7/3','D'],['P1/M3','','I/3','t','up'],
['P5/P5','7','V7/5','D'],['P1/M3','','I/3','t']
Conduite des voix avec arrivée au soprano sur:
La cadence imparfaite en classique en mineur.
Gestion de la septième de l'accord de dominante :
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['P5/M3','','V/3','d'],['P1','','I','T']
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['P5/M3','','V/3','d'],['P5/M3','7','V7/3','D'],['P1','','I','T']
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['P5/M3','7','V7/3','D'],['P1','','I','T']
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['P5','','V','d'],['P1/M3','','I/3','t']
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['P5','','V','d'],['P5/m7','7','V7/7','D'],['P1/M3','','I/3','t']
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['P5/m7','7','V7/7','D'],['P1/M3','','I/3','t']
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['P5/P5','','V/5','d'],['P1/M3','','I/3','t']
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['P5/P5','','V/5','d'],['P5/m7','7','V7/7','D'],['P1/M3','','I/3','t']
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['P5/m7','7','V7/7','D'],['P1/M3','','I/3','t']
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Sans la septième.
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La septième dans un second temps.
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La septième directement.
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Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C/E"x |]
[V:D] "V/3"x | "I/3"x |]
[V:S] !blue!!n>(!G | !blue!!n>)!G |]
[V:A] D | C |]
[V:T] !blue!!n>(!G, | !blue!!n>)!G, |]
[V:B] !red!B,, | E, |]
|
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/D"x | "C/E"x |]
[V:D] "V/5"x | "I/3"x |]
[V:S] !blue!!n>(!G | !blue!!n>)!G |]
[V:A] D | C |]
[V:T] !blue!!n>(!G, | !blue!!n>)!G, |]
[V:B] !red!D, | E, |]
|
1. Arrivée sur la tonique au soprano (I.1)
V/3 - I avec doublure la quinte de l'accord de dominante (V.5):
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/"G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |]
[V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] !blue!D | E || !blue!D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:B] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
En positions fermées.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/"G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |]
[V:A] !blue!D | E || !blue!D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:T] !n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, |]
En positions ouvertes.
Départ sur la tierce de l'accord de dominante au soprano.
V - I/3 avec doublure la fondamentale de l'accord de tonique (I.1):
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |]
[V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
En positions fermées.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:Cm
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/!o>(!!orange!F,,/ | !o>)!E,, || !o>(!!orange!F,, | !o>)!E,, |]
En positions ouvertes.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G"x/ "G7/F"x/ | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] D | G || D | G || D | G |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
En positions fermées.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G"x/ "G7/F"x/ | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:T] D, | G, || D, | G, || D, | G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/!o>(!!orange!F,,/ | !o>)!E,, || !o>(!!orange!F,, | !o>)!E,, |]
En positions ouvertes.
2. Arrivée sur la tierce au soprano (I.3)
V/3 - I avec doublure de la fondamentale de l'accord de dominante (V.1).
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/ "G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!!n>(!G, | !n>)!G, || !blue!!n>(!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, |]
En positions fermées.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/ "G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!g | e || !blue!g/ !o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |]
[V:A] !blue!!n>(!G | !n>)!G || !blue!!n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, |]
En positions ouvertes.
V/3 - I avec doublure la quinte de l'accord de dominante (V.5).
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/"G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |]
[V:A] !blue!d | !blue!c || !blue!d | !blue!c || d | !blue!c |]
[V:T] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:B] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
En positions fermées.
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/"G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |]
[V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] !blue!D | !blue!C || !blue!D | !blue!C || D | !blue!C |]
[V:B] !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, |]
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/"G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/"V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!d | e || !blue!d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |]
[V:A] !n>(!G | !n>)!G || !n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] !blue!D | !blue!C || !blue!D | !blue!C || D | !blue!C |]
[V:B] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
En positions ouvertes.
3. Arrivée sur la quinte au soprano (I.5)
V/3 - I avec doublure de la fondamentale de l'accord de dominante (V.1).
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G/B"x | "C"x || "G/B"x/ "G7/B"x/ | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V/3"x/ "V7/3"x/ | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!!n>(!G | !n>)!G || !blue!!n>(!G | !n>)!G || !n>(!G | !n>)!G |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
[V:B] !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, || !r>(!!red!B,, | !r>)!!blue!C, |]
V - I/3 avec doublure la quinte de l'accord de dominante (V.5).
Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G"x/ "G7/F"x/ | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] D | !blue!G || D | !blue!G || D | !blue!G |]
[V:A] !r>(!!red!B, | !r>)!C || !r>(!!red!B, | !r>)!C || !r>(!!red!B, | !r>)!C |]
[V:T] !blue!!n>(!G, | !blue!!n>)!G, || !blue!!n>(!G, | !blue!!n>)!G, || !n>(!G, | !blue!!n>)!G, |]
[V:B] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G"x/ "G7/F"x/ | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !r>(!!red!B | !r>)!c || !r>(!!red!B | !r>)!c || !r>(!!red!B | !r>)!c |]
[V:T] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:B] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
En positions fermées.
Q:1/1=40
%%piano3+1CD
%%player_no_voice
K:C
[V:C] "G"x | "C/E"x || "G"x/ "G7/F"x/ | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V"x/ "V7/7"x/ | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:T] !r>(!!red!B, | !r>)!C || !r>(!!red!B, | !r>)!C || !r>(!!red!B, | !r>)!C |]
[V:B] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
En positions ouvertes.