La cadence parfaite
en classique, en majeur


Sélectionnez une tonalité majeure :

La cadence parfaite est l'enchaînement à l'état fondamental de l'accord de dominante V avec l'accord de tonique I.

Avec l'accord de dominante sans septième

! ['P5','','V','d'],['P1','','I','T']
Q:1/1=40 %%player_no_voice %%piano2+2CDN K:C [V:C] "G"x | "C"x || "G"x | "C"x |] [V:D] "V"x | "I"x || "V"x | "I"x |] [V:S] D | E || D | !blue!C |] [V:A] !r>(!!red!B, | !r>)!!blue!C || !n>(!!red!B, | !n>)!G, |] [V:T] !blue!!n>(!G, | !n>)!G, || !blue!G, | E, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |] [V:N] x/"_Type A."x3/2 || x/"_Type B."x3/2 |]

Avec l'accord de dominante avec septième

! ['P5','7','V7','D'],['P1','','I','T']
Q:1/1=40 %%player_no_voice %%piano2+2CDN K:C [V:C] "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V7"x | "I"x || "V7"x | "I"x |] [V:S] !o>(!!orange!F | !o>)!E || D | !blue!C |] [V:A] !r>(!!red!B, | !r>)!!blue!C || !n>(!!red!B, | !n>)!G, |] [V:T] !n>(!!blue!G, | !n>)!G, || !o>(!!orange!F, | !o>)!E, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |] [V:N] x/"_Type A."x3/2 || x/"_Type B."x3/2 |]

Conduite des voix avec arrivée au soprano sur :

Ecritures sans septième avec septième
De type A en positions fermées ou ouvertes fermées ou ouvertes
De type B en positions fermées ou ouvertes fermées ou ouvertes

La cadence parfaite en classique en mineur.

Gestion de la septième de l'accord de dominante :

['P5','','V','d'],['P1','','I','T']
Sans la septième.
['P5','','V','d'],['P5','7','V7','D'],['P1','','I','T']
La septième dans un second temps.
['P5','7','V7','D'],['P1','','I','T']
La septième directement.

1. Arrivée sur la tonique au soprano (I.1)

1.1 En positions fermées

Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |] [V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G |] [V:T] D | E || D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || !blue!G, | !blue!C, |]
De type A.
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] d | !blue!c || d | !blue!c || d | !blue!c |] [V:A] !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G |] [V:T] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || G, | !blue!C, |]
De type B.

1.2 En positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |] [V:A] D | E || D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]
De type A.
Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] d | !blue!c || d | !blue!c || d | !blue!c |] [V:A] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:T] !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || G, | !blue!C, |]
De type B.

2. Arrivée sur la tierce au soprano (I.3)

2.1 En positions fermées

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V7"x | "I"x || "V7"x | "I"x |] [V:S] D | E || D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:A] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |] [V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G"x | "C"x || "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V7"x | "I"x || "V7"x | "I"x |] [V:S] d | e || d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |] [V:T] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G |] [V:B] !blue!G, | !blue!C || !blue!G, | !blue!C || !blue!G, | !blue!C |]
De type A.
Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:A] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:S] D | !blue!C || D | !blue!C || D | !blue!C |] [V:T] !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || G,, | !blue!C, |]
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:A] !blue!g | e || !blue!g/ !o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:S] d | !blue!c || d | !blue!c || d | !blue!c |] [V:T] !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G |] [V:B] !blue!G, | !blue!C || !blue!G, | !blue!C || G, | !blue!C |]
De type B.

2.2 En positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V7"x | "I"x || "V7"x | "I"x |] [V:S] d | e || d/!o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G |] [V:T] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]
De type A.
Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:A] !blue!g | e || !blue!g/ !o>(!!orange!f/ | !o>)!e || !o>(!!orange!f | !o>)!e |] [V:S] !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G |] [V:T] D | !blue!C || D | !blue!C || D | !blue!C |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || G, | !blue!C, |]
Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:A] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:S] !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, || !red!!n>(!B, | !n>)!G, |] [V:T] D, | !blue!C, || D, | !blue!C, || D, | !blue!C, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || G,, | !blue!C, |]
De type B.

3. Arrivée sur la quinte au soprano (I.5)

Avec le type B, le départ est sur la sensible au soprano, on doit alors la faire descendre vers la quinte de la tonique. Or quand la sensible est au soprano, la régle est de lui appliquer son mouvement obligé vers la tonique. On n'utilise donc pas le type B.

3.1 En positions fermées

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G |] [V:A] D | E || D/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:T] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]
De type A.

%%bgcolor #FFDBDB Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:A] !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G |] [V:S] !blue!G | E || !blue!G/ !o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |] [V:T] D | !blue!C || D | !blue!C || D | !blue!C |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || G, | !blue!C, |]
De type B pour illustration, à ne pas utiliser.

3.2 En positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G |] [V:A] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |] [V:T] D, | E, || D,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]
De type A.

%%bgcolor #FFDBDB Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x || "G7"x | "C"x |] [V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x || "V7"x | "I"x |] [V:S] !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G || !red!!n>(!B | !n>)!G |] [V:A] D | !blue!C || D | !blue!C || D | !blue!C |] [V:T] !blue!G, | E, || !blue!G,/ !o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || G,, | !blue!C, |]
De type B pour illustration, à ne pas utiliser.

4. Ecritures sans septième

['P5','','V','d'],['P1','','I','T']

4.1 De type A, en positions fermées

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x | "C"x || "G"x | "C"x |] [V:D] "V"x | "I"x || "V"x | "I"x || "V"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !blue!!n>(!G | !n>)!G || D | E |] [V:A] !blue!!n>(!G | !n>)!G || D | E || !r>(!!red!B, | !r>)!!blue!C |] [V:T] D | E || !r>(!!red!B, | !r>)!!blue!C || !blue!!n>(!G, | !n>)!G, |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || !blue!G,, | !blue!C, |]

4.2 De type A, en positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x | "C"x || "G"x | "C"x |] [V:D] "V"x | "I"x || "V"x | "I"x || "V"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !blue!!n>(!G | !n>)!G || d | e |] [V:A] D | E || !r>(!!red!B, | !r>)!!blue!C || !blue!!n>(!G | !n>)!G |] [V:T] !blue!!n>(!G, | !n>)!G, || D, | E, || !r>(!!red!B, | !r>)!!blue!C |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]

4.3 De type B, en positions fermées

Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G"x | "C"x || "G"x | "C"x |] [V:D] "V"x | "I"x || "V"x | "I"x |] [V:S] d | !blue!c || !blue!G | E |] [V:A] !red!!n>(!B | !n>)!G || D | !blue!C |] [V:T] !blue!G | E || !red!!n>(!B, | !n>)!G, |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, |]

4.4 De type B, en positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G"x | "C"x || "G"x | "C"x |] [V:D] "V"x | "I"x || "V"x | "I"x |] [V:S] d | !blue!c || !blue!G | E |] [V:A] !blue!G | E || !red!!n>(!B, | !n>)!G, |] [V:T] !red!!n>(!B, | !n>)!G, || D, | !blue!C, |] [V:B] !blue!G, | !blue!C, || !blue!G,, | !blue!C, |]

5. Ecritures avec septième

['P5','7','V7','D'],['P1','','I','T']

4.1 De type A, en positions fermées

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G7"x | "C"x || "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V7"x | "I"x || "V7"x | "I"x || "V7"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !n>(!!blue!G | !n>)!G || !o>(!!orange!F | !o>)!E |] [V:A] !n>(!!blue!G | !n>)!G || !o>(!!orange!F | !o>)!E || !r>(!!red!B, | !r>)!!blue!C |] [V:T] !o>(!!orange!F | !o>)!E || !r>(!!red!B, | !r>)!!blue!C || !n>(!!blue!G, | !n>)!G, |] [V:B] !blue!G, | !blue!C, || !blue!G, | !blue!C, || !blue!G,, | !blue!C, |]

4.2 De type A, en positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G7"x | "C"x || "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V7"x | "I"x || "V7"x | "I"x || "V7"x | "I"x |] [V:S] !r>(!!red!B | !r>)!!blue!c || !n>(!!blue!G | !n>)!G || !o>(!!orange!f | !o>)!e |] [V:A] !o>(!!orange!F | !o>)!E || !r>(!!red!B, | !r>)!!blue!C || !n>(!!blue!G | !n>)!G |] [V:T] !n>(!!blue!G, | !n>)!G, || !o>(!!orange!F, | !o>)!E, || !r>(!!red!B, | !r>)!!blue!C |] [V:B] !blue!G,, | !blue!C, || !blue!G,, | !blue!C, || !blue!G,, | !blue!C, |]

4.3 De type B, en positions fermées

Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V7"x | "I"x || "V7"x | "I"x |] [V:S] d | !blue!c || !o>(!!orange!F | !o>)!E |] [V:A] !red!!n>(!B | !n>)!G || D | !blue!C |] [V:T] !o>(!!orange!F | !o>)!E || !red!!n>(!B, | !n>)!G, |] [V:B] G, | !blue!C, || G,, | !blue!C, |]

4.4 De type B, en positions ouvertes

Q:1/1=40 %%player_no_voice %%piano2+2CD K:C [V:C] "G7"x | "C"x || "G7"x | "C"x |] [V:D] "V7"x | "I"x || "V7"x | "I"x |] [V:S] d | !blue!c || !o>(!!orange!F | !o>)!E |] [V:A] !o>(!!orange!F | !o>)!E || !red!!n>(!B, | !n>)!G, |] [V:T] !red!!n>(!B, | !n>)!G, || D, | !blue!C, |] [V:B] G, | !blue!C, || G,, | !blue!C, |]