La cadence rompue
en classique, en majeur
Sélectionnez une tonalité majeure :
La cadence rompue est l'enchaînement à l'état fondamental de l'accord de dominante V avec l'accord du VIe degré.
Elle requiert l'écriture de type B, et la doublure de la tierce de l'accord VI.
!
['P5','','V','d'],['M6','m','VI','t']
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] [d!blue!G] | [!blue!cE] || d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !blue!G | E |]
[V:A] !r>(!!red!B | !r>)!!blue!c || !blue!G | E || !blue!G | E || D | !blue!C |]
[V:T] x | x || !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
Avec doublure de la tierce de l'accord VI.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] [d!blue!G] | [cE] || d | c || !n>(!!red!B | !n>)!c || !blue!G | E |]
[V:A] !n>(!!red!B | !n>)!!blue!A || !blue!G | E || !blue!G | E || D | C |]
[V:T] x | x || !n>(!!red!B, | !n>)!!blue!A, || D | !blue!A, || !n>(!!red!B, | !n>)!!blue!A, |]
[V:B] !blue!G, | !blue!A, || !blue!G, | !blue!A, || !blue!G, | !blue!A, || !blue!G, | !blue!A, |]
Avec doublure de la fondamentale de l'accord VI.
La cadence rompue en classique en mineur.
!
['P5','7','V7','D'],['M6','m','VI','t']
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G7"x | "Am"x || "G7"x | "Am"x || "G7"x | "Am"x |]
[V:D] "V7"x | "VI"x || "V7"x | "VI"x || "V7"x | "VI"x |]
[V:S] d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !o>(!!orange!F | !o>)!E |]
[V:A] !o>(!!orange!F | !o>)!E || !o>(!!orange!F | !o>)!E || D | !blue!C |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "G7"x | "Am"x || "C"x | "G7"x | "Am"x |]
[V:D] "V7"x | "VI"x || "I"x | "V7"x | "VI"x |]
[V:S] d | c || e | d | c |]
[V:A] !r>(!!red!B | !r>)!!blue!A || !blue!c | !r>(!!red!B | !r>)!!blue!A |]
[V:T] !blue!G/!o>(!!orange!F/ | !o>)!E || G | !o>(!!orange!F | !o>)!E |]
[V:B] !blue!G, | !blue!A, || !blue!C | !blue!G,/!green!^G,/ | !blue!A, |]
Conduite des voix avec arrivée au soprano sur :
Ecritures :
La cadence rompue en classique en mineur.
Gestion de la septième de l'accord de dominante :
|
['P5','','V','d'],['M6','m','VI','t']
Sans la septième.
|
['P5','','V','d'],['P5','7','V7','D'],['M6','m','VI','t']
La septième dans un second temps.
|
['P5','7','V7','D'],['M6','m','VI','t']
La septième directement.
|
1. Arrivée sur la tonique au soprano (I.1)
1.1 En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |]
[V:A] !blue!G | E || !blue!G/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] d | !blue!c || d | !blue!c || d | !blue!c |]
[V:A] !blue!G | E || !blue!G/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
1.2 En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c || !r>(!!red!B | !r>)!!blue!c |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
[V:B] !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] d | !blue!c || d | !blue!c || d | !blue!c |]
[V:A] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:T] !blue!G, | E, || !blue!G,/!o>(!!orange!F,/ | !o>)!E, || !o>(!!orange!F, | !o>)!E, |]
[V:B] !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, |]
2. Arrivée sur la tierce au soprano (I.3)
2.1 En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] !blue!G | E || !blue!G/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
2.2 En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x/ "G7"x/ | "Am"x || "G7"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x/ "V7"x/ | "VI"x || "V7"x | "VI"x |]
[V:S] !blue!G | E || !blue!G/!o>(!!orange!F/ | !o>)!E || !o>(!!orange!F | !o>)!E |]
[V:A] !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:T] D, | !blue!C, || D, | !blue!C, || D, | !blue!C, |]
[V:B] !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, |]
3. Ecritures sans septième
['P5','','V','d'],['M6','m','VI','t']
3.1 En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] [d!blue!G] | [!blue!cE] || d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !blue!G | E |]
[V:A] !r>(!!red!B | !r>)!!blue!c || !blue!G | E || !blue!G | E || D | !blue!C |]
[V:T] x | x || !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
Avec doublure de la tierce de l'accord VI.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] [d!blue!G] | [cE] || d | c || !n>(!!red!B | !n>)!c || !blue!G | E |]
[V:A] !n>(!!red!B | !n>)!!blue!A || !blue!G | E || !blue!G | E || D | C |]
[V:T] x | x || !n>(!!red!B, | !n>)!!blue!A, || D | !blue!A, || !n>(!!red!B, | !n>)!!blue!A, |]
[V:B] !blue!G, | !blue!A, || !blue!G, | !blue!A, || !blue!G, | !blue!A, || !blue!G, | !blue!A, |]
Avec doublure de la fondamentale de l'accord VI.
3.2 En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] d | !blue!c || d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !blue!G | E |]
[V:A] !blue!G | E || !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || !blue!G, | E, || !blue!G, | E, || D, | !blue!C, |]
[V:B] !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, |]
Avec doublure de la tierce de l'accord VI.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x || "G"x | "Am"x |]
[V:D] "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x || "V"x | "VI"x |]
[V:S] d | c || d | c || !n>(!!red!B | !n>)!c || !blue!G | E |]
[V:A] !blue!G | E || !n>(!!red!B, | !n>)!!blue!A, || D | !blue!A, || !n>(!!red!B, | !n>)!!blue!A, |]
[V:T] !n>(!!red!B, | !n>)!!blue!A, || !blue!G, | E, || !blue!G, | E, || D, | C, |]
[V:B] !blue!G,, | !blue!A,, || !blue!G,, | !blue!A,, || !blue!G,, | !blue!A,, || !blue!G,, | !blue!A,, |]
Avec doublure de la fondamentale de l'accord VI.
4. Ecritures avec septième
['P5','7','V7','D'],['M6','m','VI','t']
4.1 En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G7"x | "Am"x || "G7"x | "Am"x || "G7"x | "Am"x |]
[V:D] "V7"x | "VI"x || "V7"x | "VI"x || "V7"x | "VI"x |]
[V:S] d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !o>(!!orange!F | !o>)!E |]
[V:A] !o>(!!orange!F | !o>)!E || !o>(!!orange!F | !o>)!E || D | !blue!C |]
[V:T] !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:B] !blue!G, | A, || !blue!G, | A, || !blue!G, | A, |]
4.2 En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "G7"x | "Am"x || "G7"x | "Am"x || "G7"x | "Am"x |]
[V:D] "V7"x | "VI"x || "V7"x | "VI"x || "V7"x | "VI"x |]
[V:S] d | !blue!c || !r>(!!red!B | !r>)!!blue!c || !o>(!!orange!F | !o>)!E |]
[V:A] !r>(!!red!B, | !r>)!!blue!C || D | !blue!C || !r>(!!red!B, | !r>)!!blue!C |]
[V:T] !o>(!!orange!F, | !o>)!E, || !o>(!!orange!F, | !o>)!E, || D, | !blue!C, |]
[V:B] !blue!G,, | A,, || !blue!G,, | A,, || !blue!G,, | A,, |]