III - La séquence harmonique plagale

! ['P1','M7','I','Ts'],['?','?','?','SD'],['?','?','?','SD'],['P1','M7','I','Ts']

Sélectionnez une tonalité majeure :

III.3 - Réalisations avec que des accords m7

Les accords SD m7 sont :

le IIm⁷ diatonique, min. mél, dorien, mixolydien,
le IVm⁷ min. har., min. nat., phrygien, locrien,
le Vm⁷ min. nat., dorien, mixolydien,
le bVIIm⁷ phrygien, locrien,
le VIIm⁷ lydien et
le bIIIm⁷ locrien.

Avec le bIII^m7 locrien

% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['m3','m7','bIIIm7','SD'],['P1','M7','I','Ts']	% ['P1','M7','I','Ts'],['m3','m7','bIIIm7','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Dm7"x \| "Ebm7"x \| "CM7"x \|] [V:D] "I"x \| "II"x \| "bIIIm7"x \| "I"x \|] [V:S] G \| A \| G \| G \|] [V:A] E \| F \| D \| E \|] [V:T] B, \| C \| _B, \| =B, \|] [V:B] C, \| D, \| _E, \| C, \|]	Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Ebm7"x \| "Dm7"x \| "CM7"x \|] [V:D] "I"x \| "bIIIm7"x \| "II"x \| "I"x \|] [V:S] G \| G \| A \| G \|] [V:A] E \| D \| F \| E \|] [V:T] B, \| _B, \| C \| =B, \|] [V:B] C, \| _E, \| D, \| C, \|]

Avec le IV^m7 mineur harmonique, mineur natuel et locrien

% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['P4','m7','IVm7','SD'],['P1','M7','I','Ts']	% ['P1','M7','I','Ts'],['P4','m7','IVm7','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Dm7"x \| "Fm7"x \| "CM7"x \|] [V:D] "I"x \| "II"x \| "IVm7"x \| "I"x \|] [V:S] G \| A \| _A \| G \|] [V:A] E \| F \| _E \| =E \|] [V:T] B, \| C \| C \| B, \|] [V:B] C, \| D, \| F, \| C, \|]	Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Fm7"x \| "Dm7"x \| "CM7"x \|] [V:D] "I"x \| "IVm7"x \| "II"x \| "I"x \|] [V:S] G \| _A \| =A \| G \|] [V:A] E \| _E \| F \| =E \|] [V:T] B, \| C \| C \| B, \|] [V:B] C, \| F, \| D, \| C, \|]

Avec le V^m7 mineur naturel, dorien et mixolydien

% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['P5','m7','Vm7','SD'],['P1','M7','I','Ts']	% ['P1','M7','I','Ts'],['P5','m7','Vm7','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Dm7"x \| "Gm7"x \| "CM7"x \|] [V:D] "I"x \| "II"x \| "IVm7"x \| "I"x \|] [V:S] G \| A \| G \| G \|] [V:A] E \| F \| F \| E \|] [V:T] B, \| C \| _B, \| =B, \|] [V:B] C, \| D, \| G, \| C, \|]	Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Gm7"x \| "Dm7"x \| "CM7"x \|] [V:D] "I"x \| "IVm7"x \| "II"x \| "I"x \|] [V:S] G \| G \| A \| G \|] [V:A] E \| F \| F \| E \|] [V:T] B, \| _B, \| C \| =B, \|] [V:B] C, \| G, \| D, \| C, \|]

Avec le bVII^m7 phrygien et locrien

% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['m7','m7','bVIIm7','SD'],['P1','M7','I','Ts']	% ['P1','M7','I','Ts'],['m7','m7','bVIIm7','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Dm7"x \| "Bbm7"x \| "CM7"x \|] [V:D] "I"x \| "II"x \| "bVIIm7"x \| "I"x \|] [V:S] G \| A \| _A \| G \|] [V:A] E \| F \| F \| E \|] [V:T] B, \| C \| _D \| =B, \|] [V:B] C, \| D, \| _B,, \| C, \|]	Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Bbm7"x \| "Dm7"x \| "CM7"x \|] [V:D] "I"x \| "bVIIm7"x \| "II"x \| "I"x \|] [V:S] G \| _A \| A \| G \|] [V:A] E \| F \| F \| E \|] [V:T] B, \| _D \| C \| =B, \|] [V:B] C, \| _B,, \| D, \| C, \|]

Avec le VII^m7 lydien

% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['M7','m7','VIIm7','SD'],['P1','M7','I','Ts']	% ['P1','M7','I','Ts'],['M7','m7','VIIm7','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Dm7"x \| "Bm7"x \| "CM7"x \|] [V:D] "I"x \| "II"x \| "VIIm7"x \| "I"x \|] [V:S] G \| A \| A \| G \|] [V:A] E \| F \| ^F \| E \|] [V:T] B, \| C \| D \| B, \|] [V:B] C, \| D, \| B,, \| C, \|]	Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x \| "Bm7"x \| "Dm7"x \| "CM7"x \|] [V:D] "I"x \| "VIIm7"x \| "II"x \| "I"x \|] [V:S] G \| A \| A \| G \|] [V:A] E \| ^F \| =F \| E \|] [V:T] B, \| D \| C \| =B, \|] [V:B] C, \| B,, \| D, \| C, \|]