III - La séquence harmonique plagale

! ['P1','M7','I','Ts'],['?','?','?','SD'],['?','?','?','SD'],['P1','M7','I','Ts']
  1. I
  1. ?
  1. ?
  1. I
Sélectionnez une tonalité majeure :

III.1 - Réalisations avec les accords diatoniques

% ['P1','M7','I','Ts'],['P4','M7','IV','SD'],['M2','m7','II','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. FM7
  2. IV
  1. Dm7
  2. II
  1. CM7
  2. I
% ['P1','M7','I','Ts'],['M2','m7','II','SD'],['P4','M7','IV','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. Dm7
  2. II
  1. FM7
  2. IV
  1. CM7
  2. I
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "FM7"x | "Dm7"x | "CM7"x |] [V:D] "I"x | "IV"x | "II"x | "I"x |] [V:S] G | A | A | G |] [V:A] E | E | F | E |] [V:T] B, | C | C | B, |] [V:B] C, | F, | D, | C, |]
I CM7 IV FM7 II Dm7 I CM7
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "Dm7"x | "FM7"x | "CM7"x |] [V:D] "I"x | "II"x | "IV"x | "I"x |] [V:S] G | A | A | G |] [V:A] E | F | E | E |] [V:T] B, | C | C | B, |] [V:B] C, | D, | F, | C, |]
I CM7 II Dm7 IV FM7 I CM7

On substitue les S.D. diatoniques avec les emprunts mineurs :

% ['P1','M7','I','Ts'],['P4','m7','IVm7','SD'],['M2','Ø7','IIØ7','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. Fm7
  2. IVm7
  1. DØ7
  2. IIØ7
  1. CM7
  2. I
% ['P1','M7','I','Ts'],['M2','Ø7','IIØ7','SD'],['P4','m7','IVm7','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. DØ7
  2. IIØ7
  1. Fm7
  2. IVm7
  1. CM7
  2. I
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "Fm7"x | "DØ7"x | "CM7"x |] [V:D] "I"x | "IVm7"x | "IIØ7"x | "I"x |] [V:S] G | _A | _A | G |] [V:A] E | _E | F | =E |] [V:T] B, | C | C | B, |] [V:B] C, | F, | D, | C, |]
I CM7 IVm7 Fm7 IIØ7 DØ7 I CM7
La cadence IIØ7 - IM7 est une cadence faible.
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "DØ7"x | "Fm7"x | "CM7"x |] [V:D] "I"x | "IIØ7"x | "IVm7"x | "I"x |] [V:S] G | _A | _A | G |] [V:A] E | F | _E | =E |] [V:T] B, | C | C | B, |] [V:B] C, | D, | F, | C, |]
I CM7 IIØ7 DØ7 IVm7 Fm7 I CM7

On met en place une basse chromatique :

% ['P1','M7','I','Ts'],['m2','M7','bIIM7','SD'],['M2','Ø7','IIØ7','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. DbM7
  2. bIIM7
  1. DØ7
  2. IIØ7
  1. CM7
  2. I
% ['P1','M7','I','Ts'],['M2','Ø7','IIØ7','SD'],['m2','M7','bIIM7','SD'],['P1','M7','I','Ts']
  1. CM7
  2. I
  1. DØ7
  2. IIØ7
  1. DbM7
  2. bIIM7
  1. CM7
  2. I
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "DbM7"x | "DØ7"x | "CM7"x |] [V:D] "I"x | "bIIM7"x | "IIØ7"x | "I"x |] [V:S] G | _A | _A | G |] [V:A] E | F | F | =E |] [V:T] B, | _C | C | B, |] [V:B] C, | _D, | D, | C, |]
I CM7 ♭IIM7 D♭M7 IIØ7 DØ7 I CM7
La cadence IIØ7 - IM7 est une cadence faible.
Q:1/1=40 %%player_no_voice %%piano3+1CD K:C [V:C] "CM7"x | "DØ7"x | "DbM7"x | "CM7"x |] [V:D] "I"x | "IIØ7"x | "bIIM7"x | "I"x |] [V:S] G | _A | _A | G |] [V:A] E | F | F | =E |] [V:T] B, | C | _C | B, |] [V:B] C, | D, | _D, | C, |]
I CM7 IIØ7 DØ7 ♭IIM7 D♭M7 I CM7