IV - Les cadences harmoniques
IV.3 - La cadence imparfaite
IV.3.1 - Introduction
La cadence imparfaite est l'enchainement de l'accord de dominante V avec l'accord de tonique I avec
au moins l'un des deux accords à l'état de renversement.
Elle donne la tonalité mais avec mois de force que la cadence parfaite. Elle est utilisée quand on ne désire pas un aspect conclusif.
A partir du premier rensersement on aura trois possiblités :
- La dominante à l'état de premier renversement, la tonique à l'état fondamental : V/3 ➜ I.
La sensible a un mouvement obligé vers la tonique, sensible ➜ tonique.
C
|
C
|
C
|
C
|
En majeur.
|
En mineur.
|
- La dominante à l'état fondamental, la tonique à l'état de premier renversement : V ➜ I/3.
C
|
C
|
C
|
C
|
En majeur.
|
En mineur.
|
- La dominante dans l'état de troisième renversement et la tonique dans l'état de premier renversement : V/7 ➜ I/3.
La quarte a un mouvement obligé vers la tierce, quarte ➜ tierce.
C
|
C
|
En majeur.
|
En mineur.
|
- La dominante et la tonique dans leur état de premier renversement : V/3 ➜ I/3.
C
|
C
|
C
|
C
|
En majeur.
|
En mineur.
|
IV.3.2 - L'enchaînement V/3 ➜ I
En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G/B"x | "C"x || "G7/B"x | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V7/3"x | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!G | E || !blue!G/"@-3,6 7"!o>(!!orange!F/ | "@-3,6 3"!o>)!E || "@-3,6 7"!o>(!!orange!F | "@-3,6 3"!o>)!E |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !n>(!!blue!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G/B"x | "Cm"x || "G7/B"x | "Cm"x || "G7/B"x | "Cm"x |]
[V:D] "V/3"x | "I"x || "V7/3"x | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!G | E || !blue!G/"@-3,6 7"!o>(!!orange!F/ | "@-3,6 3"!o>)!E || "@-3,6 7"!o>(!!orange!F | "@-3,6 3"!o>)!E |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !n>(!!blue!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, |]
En mineur.
En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G/B"x | "C"x || "G7/B"x | "C"x || "G7/B"x | "C"x |]
[V:D] "V/3"x | "I"x || "V7/3"x | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!g | e || !blue!g/"@-3,6 7"!o>(!!orange!f/ | "@-3,6 3"!o>)!e || "@-3,6 7"!o>(!!orange!f | "@-3,6 3"!o>)!e |]
[V:A] !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!B,, | "_1"!r>)!!blue!C, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G/B"x | "Cm"x || "G7/B"x | "Cm"x || "G7/B"x | "Cm"x |]
[V:D] "V/3"x | "I"x || "V7/3"x | "I"x || "V7/3"x | "I"x |]
[V:S] !blue!g | e || !blue!g/"@-3,6 7"!o>(!!orange!f/ | "@-3,6 3"!o>)!e || "@-3,6 7"!o>(!!orange!f | "@-3,6 3"!o>)!e |]
[V:A] !n>(!!blue!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, || "_3"!r>(!!red!=B,, | "_1"!r>)!!blue!C, |]
En mineur.
IV.3.3 - L'enchaînement V ➜ I/3 et V/7 ➜ I/3
Départ sur la tierce de l'accord de dominante au soprano
En positions fermées
Q:1/1=40
%%player_no_voice
%%piano3+1CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] "@-3,6 3"!r>(!!red!B | !r>)!"@-3,6 1"!blue!c || "@-3,6 3"!r>(!!red!B | "@-3,6 1"!r>)!!blue!c || "@-3,6 3"!r>(!!red!B | "@-3,6 1"!r>)!!blue!c |]
[V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] "@-3,6 3"!r>(!!red!=B | !r>)!"@-3,6 1"!blue!c || "@-3,6 3"!r>(!!red!=B | "@-3,6 1"!r>)!!blue!c || "@-3,6 3"!r>(!!red!=B | "@-3,6 1"!r>)!!blue!c |]
[V:A] !blue!!n>(!G | !n>)!G || !n>(!!blue!G | !n>)!G || !n>(!G | !n>)!G |]
[V:T] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
En mineur.
En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] "@-3,6 3"!r>(!!red!B | !r>)!"@-3,6 1"!blue!c || "@-3,6 3"!r>(!!red!B | "@-3,6 1"!r>)!!blue!c || "@-3,6 3"!r>(!!red!B | "@-3,6 1"!r>)!!blue!c |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] "@-3,6 3"!r>(!!red!=B | !r>)!"@-3,6 1"!blue!c || "@-3,6 3"!r>(!!red!=B | "@-3,6 1"!r>)!!blue!c || "@-3,6 3"!r>(!!red!=B | "@-3,6 1"!r>)!!blue!c |]
[V:A] D | !blue!C || D | !blue!C || D | !blue!C |]
[V:T] !blue!!n>(!G, | !n>)!G, || !n>(!!blue!G, | !n>)!G, || !n>(!G, | !n>)!G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En mineur.
Départ sur la fondamentale de l'accord de dominante au soprano
En positions fermées
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] D | G || D | G || D | G |]
[V:T] "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] D | G || D | G || D | G |]
[V:T] "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
En mineur.
En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!!blue!C |]
[V:T] D, | G, || D, | G, || D, | G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] !blue!G | !blue!c || !blue!G | !blue!c || G | !blue!c |]
[V:A] "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!!blue!C |]
[V:T] D, | G, || D, | G, || D, | G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En mineur.
Départ sur la quinte de l'accord de dominante au soprano
Doublure de la quinte et non de la fondamentale pour l'accord de tonique.
En positions fermées
Q:1/1=40
%%player_no_voice
%%piano3+1CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] "@-14,-6 3"!r>(!!red!B | "@6,-6 1"!r>)!c || "@-14,-6 3"!r>(!!red!B | "@6,-6 1"!r>)!c || "@-14,-6 3"!r>(!!red!B | "@6,-6 1"!r>)!c |]
[V:T] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] D | !blue!G || D | !blue!G || D | !blue!G |]
[V:A] "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C |]
[V:T] !blue!!n>(!G, | !blue!!n>)!G, || !blue!!n>(!G, | !blue!!n>)!G, || !n>(!G, | !blue!!n>)!G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] "@-22,-6 3"!r>(!!red!=B | "@6,-6 1"!r>)!c || "@-22,-6 3"!r>(!!red!=B | "@6,-6 1"!r>)!c || "@-22,-6 3"!r>(!!red!=B | "@6,-6 1"!r>)!c |]
[V:T] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] D | !blue!G || D | !blue!G || D | !blue!G |]
[V:A] "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C |]
[V:T] !blue!!n>(!G, | !blue!!n>)!G, || !blue!!n>(!G, | !blue!!n>)!G, || !n>(!G, | !blue!!n>)!G, |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En mineur.
En positions ouvertes
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:T] "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G"x | "C/E"x || "G7"x | "C/E"x || "G7/F"x | "C/E"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:T] "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C || "@-14,-6 3"!r>(!!red!B, | "@6,-6 1"!r>)!C |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En majeur.
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:T] "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C |]
[V:B] !blue!G, | E, || !blue!G,/"@-3,-20 7"!o>(!!orange!F,/ | "_3"!o>)!E, || "@-3,-20 7"!o>(!!orange!F, | "_3"!o>)!E, |]
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:Cm
[V:C] "G"x | "Cm/Eb"x || "G7"x | "Cm/Eb"x || "G7/F"x | "Cm/Eb"x |]
[V:D] "V"x | "I/3"x || "V7"x | "I/3"x || "V7/7"x | "I/3"x |]
[V:S] d | !blue!g || d | !blue!g || d | !blue!g |]
[V:A] !blue!!n>(!G | !blue!!n>)!G || !blue!!n>(!G | !blue!!n>)!G || !n>(!G | !blue!!n>)!G |]
[V:T] "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C || "@-22,-6 3"!r>(!!red!=B, | "@6,-6 1"!r>)!C |]
[V:B] !blue!G,, | E,, || !blue!G,,/"@-3,-20 7"!o>(!!orange!F,,/ | "_3"!o>)!E,, || "@-3,-20 7"!o>(!!orange!F,, | "_3"!o>)!E,, |]
En mineur.
IV.3.4 - L'enchaînement V/3 ➜ I/3
Doublure de la quinte et non de la fondamentale pour l'accord de tonique.
Notez qu'ici on s'autorise une doublure à l'octave.
En position fermée
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G/B"x | "C/E"x || "G/B"x | "Cm"x |]
[V:D] "V/3"x | "I/3"x || "V7/3"x | "I/3"x |]
[V:A] !n>(!!blue!G | !n>)!!blue!G || !n>(!!blue!G | !n>)!!blue!G |]
[V:S] D | C || D | C |]
[V:T] !n>(!!blue!G, | !n>)!!blue!G, || !n>(!!blue!G, | !n>)!!blue!G, |]
[V:B] !red!B,, | E, || !red!=B,, | _E, |]
En position ouverte
Q:1/1=40
%%player_no_voice
%%piano2+2CD
[V:C] "G/B"x | "C/E"x || "G/B"x | "Cm"x |]
[V:D] "V/3"x | "I/3"x || "V7/3"x | "I/3"x |]
[V:S] d | c || d | c |]
[V:A] !n>(!!blue!G | !n>)!!blue!G || !n>(!!blue!G | !n>)!!blue!G |]
[V:T] !n>(!!blue!G, | !n>)!!blue!G, || !n>(!!blue!G, | !n>)!!blue!G, |]
[V:B] !red!B,, | E, || !red!=B,, | _E, |]