III - La réalisation des accords

III.6 - Exemple de conduite des voix

III.6.1 - Réalisation de l'enchaînement I - VI - IV - V7 - I à l'état fondamental

On part des différentes positions de l'accord initial I en déclinant les positions ouvertes et fermées pour la fondamentale, la tierce et la quinte au soprano. On applique les régles précédentes pour la conduite des voix.

En partant de la fondamentale au soprano

Q:1/1=40 %%piano3+1CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!!n>(!c | !n>)!!n>(!c | !n>)!c | !red!!r>(!B | !r>)!!blue!c |] [V:A] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:T] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |] [V:B] !blue!C, | !blue!A, | !blue!F, | !blue!G, | !blue!C, |]
Position fermée en majeur.
Q:1/1=40 %%piano3+1CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!!n>(!c | !n>)!!n>(!c | !n>)!c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:T] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |] [V:B] !blue!C, | !blue!A, | !blue!F, | !blue!G, | !blue!C, |]
Position fermée en mineur.
Q:1/1=40 %%piano2+2CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!!n>(!c | !n>)!!n>(!c | !n>)!c | !red!!r>(!B | !r>)!!blue!c |] [V:A] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |] [V:T] G, | !blue!!n>(!A,| !n>)!A, | !blue!!n>(!G, | !n>)!G, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position ouverte en majeur.
Q:1/1=40 %%piano2+2CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] !blue!!n>(!c | !n>)!!n>(!c | !n>)!c | !red!!r>(!=B | !r>)!!blue!c |] [V:A] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |] [V:T] G, | !blue!!n>(!A,| !n>)!A, | !blue!!n>(!G, | !n>)!G, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position ouverte en mineur.

En partant de la tierce au soprano

Q:1/1=40 %%piano2+2CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!o>(!!orange!F | !o>)!E |] [V:A] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!B, | !r>)!!blue!C |] [V:T] G, | !blue!!n>(!A, | !n>)!A, | !blue!!n>(!G, | !n>)!G, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position fermée en majeur.

Q:1/1=40 %%piano2+2CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!o>(!!orange!F | !o>)!E |] [V:A] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!=B, | !r>)!!blue!C |] [V:T] G, | !blue!!n>(!A, | !n>)!A, | !blue!!n>(!G, | !n>)!G, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position fermée en mineur.

Q:1/1=40 %%piano2+2CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] !n>(!e | !n>)!e | !blue!!n>(!f | !n>)!!orange!!o>(!f | !o>)!e |] [V:A] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:T] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!B, | !r>)!!blue!C |] [V:B] !blue!C, | !blue!A,, | !blue!F, | !blue!G, | !blue!C, |]
Position ouverte en majeur.

Q:1/1=40 %%piano2+2CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] !n>(!e | !n>)!e | !blue!!n>(!f | !n>)!!orange!!o>(!f | !o>)!e |] [V:A] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:T] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!=B, | !r>)!!blue!C |] [V:B] !blue!C, | !blue!A,, | !blue!F, | !blue!G, | !blue!C, |]
Position ouverte en mineur.

En partant de la quinte au soprano

Q:1/1=40 %%piano2+2CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:A] !n>(!E | !n>)!E | !blue!!n>(!F | !n>)!!orange!!o>(!F | !o>)!E |] [V:T] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!B, | !r>)!!blue!C |] [V:B] !blue!C, | !blue!A,, | !blue!F, | !blue!G, | !blue!C, |]
Position fermée en majeur.
Q:1/1=40 %%piano2+2CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:A] !n>(!E | !n>)!E | !blue!!n>(!F | !orange!!o>(!!n>)!F | !o>)!E |] [V:T] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!=B, | !r>)!!blue!C |] [V:B] !blue!C, | !blue!A,, | !blue!F, | !blue!G, | !blue!C, |]
Position fermée en mineur.
Q:1/1=40 %%piano2+2CD K:C [V:C] "C"x | "Am"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "VI"x | "IV"x | "V7"x | "I"x |] [V:S] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:A] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!B, | !r>)!!blue!C |] [V:T] !n>(!E, | !n>)!E, | !blue!!n>(!F, | !n>)!!orange!!o>(!F, | !o>)!E, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position ouverte en majeur.
Q:1/1=40 %%piano2+2CD K:Cm [V:C] "Cm"x | "Ab"x | "Fm"x | "G7"x | "Cm"x |] [V:D] "I"x | "bVI"x | "IV"x | "V7"x | "I"x |] [V:S] G | !blue!!n>(!A | !n>)!A | !blue!!n>(!G | !n>)!G |] [V:A] !blue!!n>(!C | !n>)!!n>(!C | !n>)!C | !red!!r>(!=B, | !r>)!!blue!C |] [V:T] !n>(!E, | !n>)!E, | !blue!!n>(!F, | !n>)!!orange!!o>(!F, | !o>)!E, |] [V:B] !blue!C, | !blue!A,, | !blue!F,, | !blue!G,, | !blue!C, |]
Position ouverte en mineur.

III.6.2 - Leçons de musique complémentaires

Gradus ad Parnassum - Cours d'harmonie
Chapitre 2 - Introduction générale à l'harmonie
2.2.1 - Les enchaînements d'accords à l'état fondamental.
2.2.2 - Les enchaînements d'accords à l'état fondamental - Vidéo pratique.
2.5.1 - La quarte et sixte de cadence